“Coraline” by Neil Gaiman
Coraline envelops you in the mystery and magic of a resourceful and imaginative child’s world. It is an excellent modern-day fairy tale that incorporates countless elements of folklore and fantasy.
“No Plot? No Problem!” novel-writing kit by Chris Baty
The kit’s contents are snarky and fun if you need a pick-me-up, but you shouldn’t expect any life-changing advice. Baty attempts to prepare you for a month-long writing endeavor with equal parts humor and advice, but the whole thing feels corny. Stick to November, or get a crowd of friends to write with you some other month, and leave this kit on the shelf.
“Zeitoun” by Dave Eggers
Zeitoun is an eye-opening account of the devastating effects of two very different disasters in the United States: As Hurricane Katrina wreaks havoc on neighborhoods and lives in New Orleans, religious intolerance toward Muslims becomes more pointed this post-9/11 world. The Zeitouns’ fascinating story of survival in the face of loss and discrimination makes both catastrophes undeniably real to the reader.
“Room” by Emma Donoghue
This is by far the best book I’ve read all year. The book is original, thrilling, captivating, and heartwrenching. At the same time, it is unexpectedly fresh and optimistic, filled with life and hope and wonder.
“Washington’s U Street” by Blair A. Ruble
Washington’s U Street area is a “contact zone”—a place where cultures and peoples exist side by side. Whether black or white, southern or northern, professional or scholarly, residents in the neighborhood have interacted with each other with very few clashes decades. U Street has bred activists, politicians, scholars, educators, athletes, musicians, dancers, calling such famous figures as Duke Ellington and Ralph Bunche sons.
“The Essential Guide to Getting Your Book Published” by Arielle Eckstut and David Henry Sterry
Michael Powell comments in the book, “I believe nearly every book that deserves to be published gets published.” And if you follow the advice of the authors of this guide, remembering that getting published is a business and treating it as such, you will deserve to be published.
“The Graveyard Book” by Neil Gaiman
The Graveyard Book was truly a delight to read, and I appreciated Gaiman’s intelligent handling of complex issues without losing sight of his inventive narrative. I would recommend this book to almost anyone for its fully formed characters, excellent prose, and engaging plot.
Guest Review! “Jonathan Strange and Mr. Norrell” by Susanna Clarke
The book has its strong points, but ultimately I was disappointed. A few interesting scenes involving magic and politics cannot redeem the generally glacial pace of the story. I can’t say I’m going to recommend this to anyone, even though the story is a unique accomplishment.
“Macbeth” by William Shakespeare
While it was fun to read and act out a play together, perhaps Jack and I chose the wrong work; neither of us particularly liked this one. The entire play seemed very disjointed, like there was a scene or even an act missing.
“Crime and Punishment” by Fyodor Dostoevsky
Crime and Punishment discusses the effects of mental anguish, morality, and social and fiscal responsibility. Dostoevsky carefully studies the intricate relations between characters rich and poor, male and female, powerful and powerless, sane and mentally ill.
“Wuthering Heights” by Emily Brontë
Such a powerful story of love and loss ages well, and the unconventional use of an unreliable narrator had an interesting effect upon my view of the characters and story. The supernatural elements throughout the novel only serve to add to the dark, intense feelings between the two lovers.
“Fingerprints” by Joel Church
Fingerprints, Joel Church’s first collection of flash fiction, captures both the enticing and the mundane. Set against the backdrop of Washington, D.C., Church’s characters explore topics ranging from sexuality and drug abuse to childhood and loss. These stories extend from two to ten pages long, and their brevity makes them an excellent read on the metro; I could read for only one or two stops and not feel completely lost the next time I opened the book.
“To Have and Have Not” by Ernest Hemingway
To Have and Have Not is my least favorite Hemingway book so far. Though Hemingway attempts to dissect grand social issues, such as troubled economic times and the relationship that exists between husband and wife, the entangled sub-plots and the erratic activities of the characters serve to distract from whatever statement Hemingway is trying to make.
“The Hobbit” by J.R.R. Tolkien
The Hobbit is one of the best books I’ve read all year. Because of its intensely imaginative plot and Tolkien’s masterful literary execution, The Hobbit is one of those few books that are equally attractive to kids and adults alike. But you probably already knew that!
“Tender Is the Night” by F. Scott Fitzgerald
I found the story well-written and enjoyable, in spite of its slow parts. Fitzgerald showcases his storytelling talent with his many-layered characters, and his scene descriptions and dialogue are superb.
“The Souls of Black Folk” by W. E. B. Du Bois
It is impossible to rate The Souls of Black Folk too highly. It is a worthwhile read solely for the impact that it has had upon American society, both in its time and in the decades since its 1903 publication. The Souls of Black Folk was a major contribution to the African-American literary tradition, and it is also a cornerstone of the literature on sociology. Beyond its historical and educational value, though, I highly recommend this book to everyone for the piercing glimpses Du Bois offers into the souls of all men and women.
Melody Schreiber 