“The Loneliness of the Long-Distance Runner” by Alan Sillitoe
Sillitoe’s short stories keenly chronicle the lives of ordinary working-class men and boys.
Sillitoe’s short stories keenly chronicle the lives of ordinary working-class men and boys.
Gabriel Garcia Marquez annoys me. There, I said it. His is the most prominent name in magical realism, and his work had me convinced that I was not a fan of the genre. I inevitably grew weary of what seems like cutesy or convenient inventions put it place to further the narrative or tickle the reader. I want to know if a story is based in the world that I know or if it is fantastical. Go big or go home; don’t settle for ambiguous magical realism, I always thought.
Title: Don’t Let’s Go to the Dogs Tonight: An African Childhood Author: Alexandra Fuller ISBN: 9780375758997 Pages: 336 Release date: March 11, […]
Set in fictional Maycomb County in 1930s Alabama, To Kill a Mockingbird is narrated by young Scout Finch, who is generally more interested in finding treasures and scrapping with her brother, Jem, than in the Great Depression or Jim Crow. But tension in the Deep South is unavoidable, especially when your dad is Mr. Renaissance Man himself. Atticus Finch is representing Tom Robinson, a black man accused of sexual assault by an impoverished white girl. Scout is young, but already she struggles with biases inherited from members of this insular community. As she observes the tumult caused by the trial, and as she deals with her own demons, Scout learns that people aren’t always as they appear.
There are some books that are so good, as soon as you finish reading you’re ready to tell the world exactly what you loved about it; the words have been forming in your mind the whole time.
I Am Forbidden may not be one of those books.
It’s a book that you read obsessively—it takes over your thoughts—and quickly—because you have to know what happens, you have to stay with these characters. Yet when you put it down, you don’t know how to explain the book, much less why you loved it.
This is what I believe:
When someone dies, they don’t go to some pearlescent afterlife or some sulfurous hellhole.
Instead, they live on in the memories of those who loved them.
Much is said about plot in writing. Without plot, you don’t have a book… right?
That’s why, at first glance, A Visit from the Goon Squad appears to be a series of interconnected short stories. There is no overarching plot, no event or circumstances that drive the characters through the narrative, which switches back on itself, going into the past and then the future over the course of four decades. In books like The Train of Small Mercies, the characters never meet. But the same event—the death of RFK—draws them together in theme and event if not in circumstance, and so their arcs mirror each other.
The Bigtrees are the proud, indebted owners of Swamplandia!, a macabre and thrilling theme park devoted to “Seths”—their nickname for alligators. But when their star wrestler Hilola dies and a rival theme park, the World of Darkness, opens nearby, they hemorrhage customers.
Thirteen-year-old Ava is stricken with grief at the loss of her mother, the famous alligator wrestler Hilola Bigtree. Hilola died not from an aggressive gator attack but from cancer, and Ava finds herself adrift. She’s not the only one. Her father, known as the Chief; her seventeen-year-old brother Kiwi; and her sixteen-year-old sister Osceola (Ossie) also break and slide apart.