character

“The Frangipani Hotel” by Violet Kupersmith

Gabriel Garcia Marquez annoys me. There, I said it. His is the most prominent name in magical realism, and his work had me convinced that I was not a fan of the genre. I inevitably grew weary of what seems like cutesy or convenient inventions put it place to further the narrative or tickle the reader. I want to know if a story is based in the world that I know or if it is fantastical. Go big or go home; don’t settle for ambiguous magical realism, I always thought.

“To Kill a Mockingbird” by Harper Lee

Set in fictional Maycomb County in 1930s Alabama, To Kill a Mockingbird is narrated by young Scout Finch, who is generally more interested in finding treasures and scrapping with her brother, Jem, than in the Great Depression or Jim Crow. But tension in the Deep South is unavoidable, especially when your dad is Mr. Renaissance Man himself. Atticus Finch is representing Tom Robinson, a black man accused of sexual assault by an impoverished white girl. Scout is young, but already she struggles with biases inherited from members of this insular community. As she observes the tumult caused by the trial, and as she deals with her own demons, Scout learns that people aren’t always as they appear.