I am the kind of person who likes to do things by the book. At least at first. Tell me the rules, tell me exactly how to do it. Later, I’ll bend or break the rules and make my own way…
Oei is a painter in her father’s studio, his oldest and most faithful disciple. Her father, Hokusai, is a famed artist throughout Edo, and his influence is reaching other parts of Japan as well. Despite the shogun’s censorship of art and free speech, Hokusai’s work only grows in popularity, and he even sells his art to the Dutch traders who are allowed limited engagement with Japan.
Based on and taking its name from the classic twelfth-century Sufi epic poem, The Conference of the Birds is a sweeping, simple story, an abbreviated yet epic tale. In this powerful adaptation, Peter Sís explores pain, faith, love, and the meaning of life, and he does so simply and beautifully.
I am a firm believer that you can–and should–judge a book by its cover. After working for a book publisher and now as a book reviewer, I have come to the realization that the time spent perfecting a book’s title and cover art is usually a pretty good indication of how successful the publisher thinks it will be.
Basil Hallward, an artist, is in love with his latest painting–and his subject, Dorian Gray. In fact, Hallward firmly believes that Gray’s indisputable beauty and charm have taken his art to an entirely new level, to the point that all who gaze upon his image are compelled to fall in love.
Henry House is the practice baby everyone falls in love with. There have been and will be other babies, orphans who stay in the Wilton College Home Economics course for two years each to teach young women how to care for children. The practice house is “a testament to the belief that women could replace the mysteries of child rearing with mastery.”